printable manuscript paper for 4 part harmony

Extensive manuscript and print materials are also available as part of Westbrooks’ collection.Īrchives of Institutional Memory at IU (AIM was created to collect, preserve and make available the official records with long-term value produced by the Indiana University administrative and academic community.Īrchives Online at Indiana University provides access to online descriptions, finding aids, guides and inventories to collections held in archives and libraries at Indiana University. The photographs in this collection primarily document Westbrooks’ work in the music industry from the mid-1960s on, including his interactions with other top-level executives, artists, and radio personalities affiliated with WVON (Chicago), WDIA (Memphis), Capitol Records, CBS, Mercury, MCA, Stax, Philadelphia International Records, Soul Train Records, and Westbrooks’ own company, Source Records. Westbrooks is widely recognized as one of the central figures responsible for opening the doors of the music industry to black artists and executives. Shearer’s collection includes artist publicity materials as well as radio transcripts. Karen Shearer began her career as a publicist for Capitol Records before moving to the Westwood One Radio Network circa 1980 where she worked for the next decade as a producer on several popular music programs including Special Edition, a weekly program featuring the music of popular black recording artists. Many of these collections also contain print and audiovisual materials.

The AAAMC Black Radio Collections consist of a number of collections documenting the history of Black radio. In addition to housing extensive materials documenting Black radio, the AAAMC’s collections highlight popular, religious, and classical music, with genres ranging from blues and gospel to R&B and contemporary hip hop. The AAAMC supports the research of scholars, students, and the general public worldwide by providing access to holdings which include oral histories, photographs, musical and print manuscripts, audio and video recordings, educational broadcast programs, and the personal papers of individuals and organizations concerned with black music. The collection includes both poetry and criticism.Īrchives of African American Music and CultureĮstablished in 1991, the AAAMC is a repository of materials covering a range of African American musical idioms and cultural expressions from the post-World War II era. The Swinburne Project contains electronic editions of the works of prolific Victorian poet and critic Algernon Charles Swinburne (1837-1909). Banda Archive, a collection of primary materials on Malawi and southern and central Africa. The African Studies Collection's vast print, audiovisual, and digital holdings include a significant body of materials on and in African languages as well as two special collections: the Somali Collection, considered one of the top three in the world and the H.K. The African Ephemera Collection is a research-level collection that includes brochures, flyers, pamphlets/booklets, reprints, conference papers, and other items written in many languages, including African vernacular languages. 1822–1986.Back to Digital Collections Services Home Page A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z Rochester Daily Advertiser and Telegraph. 1829, and “Golden Bible,” Salem Gazette, 2 Oct. 1829, “Golden Bible,” Painesville Telegraph, 22 Sept. 1829, “Golden Bible,” Rochester Daily Advertiser and Telegraph, 31 Aug.

1829,, italics in original see also, for example, “Golden Bible,” Niagara Courier, 27 Aug.

It is pretended that it will be published as soon as the translation is completed.” Jonathan Hadley of the Palmyra Freeman also reported that by early August 1829, JS’s translation of the plates was “generally known and spoken of as the ‘ Golden Bible.’” The Freeman incredulously reported JS’s claims: “Now it appears not a little strange that there should have been deposited in this western world, and in the secluded town of Manchester, too, a record of this description: and still more so, that a person like this Smith (very illiterate) should have been gifted by inspiration to find and interpret it.” Newspapers as far away as Ohio reprinted this denunciation of the “Golden Bible.” (News item, Wayne Sentinel, 26 June 1829, “Golden Bible,” Palmyra (NY) Freeman, 11 Aug. In June 1829 the Wayne Sentinel reported on the rumors surrounding the translation of the “Golden Bible” and explained that “most people entertain an idea that the whole matter is the result of a gross imposition and a grosser superstition. By fall 1829, it was well known in the region that JS claimed to have plates and to be translating them.

Printable manuscript paper for 4 part harmony